Ptolemeic Processions

 

 I

Unit: Ancient Egypt

Theme: Processions 

 

 Introduction

 The Ptolemaic dynasty, sometimes referred to as the Lagid dynasty, was a Macedonian Greek royal dynasty which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Their rule lasted for 275 years, from 305 to 30 BC. The Ptolemaic was the last dynasty of ancient Egypt.

 

II

Learning Objectives


  • Understand the importance of the Ptolemaic dynasty
  • Explain the meaning of the procession of shrines
  • Gain an awareness of the excess of wealth displayed by processions
  • Experience the staging of a procession 

 

 

 

 III

Main Lesson

 

 1

 Alexander the Great

Alexander III of Macedon (356 BC - 323 BC) commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. A member of the Argead dynasty, he was born in Pella—a city in Ancient Greece—in 356 BC.

 


 
2


 

 

 Ptolemaic Dynasty

The Ptolemaic dynasty, the Thirty-third dynasty of Egypt, sometimes referred to as the Lagid dynasty, was a Macedonian Greek royal dynasty which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Their rule lasted for 275 years, from 305 to 30 BC. 

Ptolemy I Soter ("Ptolemy the Savior"; c. 367 BC – January 282 BC) was a Greek general, historian and companion of Alexander the Great of the Kingdom of Macedon in northern Greece who became ruler of Egypt, part of Alexander's former empire. Ptolemy was pharaoh of Ptolemaic Egypt from 305/304 BC to his death. He was the founder of the Ptolemaic dynasty, which ruled Egypt until the death of Cleopatra in 30 BC, turning the country into a Hellenistic kingdom and Alexandria into a center of Greek culture.

 

Question 1

 

Why was the Ptolemaic Dynasty important?


3

Lord of the Imagination
 
Scene from the movie "Pharaoh" 
 
"A thousand of years ago, on the dessert, on a land situated on the 
shores of the lower Nile, there was established a great empire ruled
by a pharaoh,  half god, half man, son of Osiris. But to this day, 
power still makes millions of people imagine 
what it was."
This is a fragment of the Polish film Pharao (1966), directed by Jerzy Kawalerwicz, (1922 - 2007)
adapted from the eponymous novel by the Polish writer Bolesław Prus. In 1967, it was nominated for 
an Academy Award for Best Foreign Language Film. It was also entered into the 1966 Cannes Film 
Festival.
 
Question 2

What is your reaction to the way royal Egypt is represented here? 
 

4


 Egyptian Processions

 

Procession of Shrines

 

LINK

The Manners and Customs of Ancient Egyptians 

John Gardner Wilkinson  by

(Pages 270 - 276) 

 

Questions 3

What was the the procession on shrines? Explain.
 
 
 
 
 5
 
 
 19th-century depiction of Alexander's funeral procession.

Based on the description by Diodorus Silicus

 
 

 By Unknown author - http://www.alexanderstomb.com/main/imageslibrary/alexander/index.htm, Public Domain, https://commons.wikimedia.org/w/index.php?curid=649351

Alexander the Great

(Pages 189 - 191)

 ------------------------------------

 

 6

 

 Roman-era procession for Dionysus


LINK

The Great Spectacle and Procession of Ptolemy II Philadelphus, 285 BCE 

 (5th paragraph)

 

Question 4

This procession could be described as an excess of wealth. Speculate about the possible reasons for these display of wealth to take place?

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7


Serapis (Syncretic God)
 
 
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8
 

Joyeuse magnificences

 

Another of the Joyeuse

 

 magnificences was the Ballet Comique de la Reine, devised and presented by Queen Louise, who directed her own team of writers and musicians. The text was by Nicolas de La Chesnaye, the music by the Sieur de Beaulieu, the sets by Jacques Patin, and the overall director was Balthasar de Beaujoyeulx.[31]

 

The theme of the entertainment was an invocation of cosmic forces to come to the aid of the monarchy, which at that time was threatened by the rebellion not only of Huguenots but of many Catholic nobles. Men were shown as reduced to beasts by Circe, who held court in a garden at one end of the hall. Louise and her ladies danced ballets, and the Four Cardinal Virtues appealed to the gods to descend to earth and defeat the powers of Circe. With a thunderclap, Jupiter descended sitting on an eagle, accompanied by "the most learned and excellent music that had ever been sung or heard". Jupiter transferred Circe's power to the royal family, protected France from the horrors of civil war, and blessed King Henry with the wisdom to govern. At the end of the show, Catherine de' Medici made Queen Louise give Henry a gold medal depicting a dolphin. The gesture expressed Catherine's desire that the couple would have a male heir (a dauphin) to continue the dynasty.[32]

Another of the Joyeuse magnificences was the Ballet Comique de la Reine, devised and presented by Queen Louise, who directed her own team of writers and musicians. The text was by Nicolas de La Chesnaye, the music by the Sieur de Beaulieu, the sets by Jacques Patin, and the overall director was Balthasar de Beaujoyeulx.[31]

 

The theme of the entertainment was an invocation of cosmic forces to come to the aid of the monarchy, which at that time was threatened by the rebellion not only of Huguenots but of many Catholic nobles. Men were shown as reduced to beasts by Circe, who held court in a garden at one end of the hall. Louise and her ladies danced ballets, and the Four Cardinal Virtues appealed to the gods to descend to earth and defeat the powers of Circe. With a thunderclap, Jupiter descended sitting on an eagle, accompanied by "the most learned and excellent music that had ever been sung or heard". Jupiter transferred Circe's power to the royal family, protected France from the horrors of civil war, and blessed King Henry with the wisdom to govern. At the end of the show, Catherine de' Medici made Queen Louise give Henry a gold medal depicting a dolphin. The gesture expressed Catherine's desire that the couple would have a male heir (a dauphin) to continue the dynasty.[32


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 9
 

Procession Elements

The procession described bellow has been extracted from the accounts provided by Christian theologian and philosopher Clement of Alexandria. Many elements may be used to make a procession more significant than just "people walking in the same direction":

 

1.     A special mode of transport, such as a ceremonial barge, elephant howdah, horse-drawn carriage, or a palanquin carried on the shoulders of others. Cleopatra's arrival to seduce Mark Antony on a perfumed barge has taken on legendary proportion.

2.     Criers may march before the procession, yelling to clear the way for it.

3.     Order of precedence: even without showy display, a group of people walking forward may be said to form a procession if their order and placement clearly visualize a hierarchy or symbiotic relationship. For instance, one's nearness to the king or others of high rank had important political connotations when the royal family walked to or from the palace.

4.     Bearers of banners, fans, icons, treasure, or other eye-catching items, or leading exotic animals. This was a very important part of Roman triumphs, as booty gave the Roman populace visual proof of the warrior's success. Scent, provided by flower bearers or censers of incense.

5.     Skilled performers, such as acrobats or dancers.

6.     Special costume: traditionally, the costumes of acolytes, footmen, ceremonial guards, or slaves help show off the wealth of the person staging a procession.

7.     Special lighting: candlelight vigils for the deceased or to show political solidarity often include a candlelit procession.

8.     The dispensing of gifts, at one time often food or money. 

 


IV
A Note to Remember
 
 Processions are organized popular statements that move massive amounts of people.
 
 
 V
 
Case Studies
 
 
 1
 
 Hispania / Last Roman Colony
 
https://youtu.be/EaVCOK6ujuo
 
 2
 
Cuba / Last Spanish Colony
 
https://youtu.be/UZ4NBjHj8E0
 
 
3
 
 
https://youtu.be/O916XBcqXAI
 
 4
 
 
 Camajuani, Monumental Floats
Immaterial Patrimony of Humanity in 2018


Sapos / Saint Joseph


 
 
 
 
 
VI
 
 

ACTIVITY


Students will design a procession based on one of the historic characters mentioned above by Gardner Wilkinson.  
 
Anointing the King
 
Characters
 
1. Singer (leads the procession bearing one of the symbols of music [sistrum/maracca]) + 2 books (one with the hyms to the Gods and the other with the precepts abou the life of the king).
2. Horoscopus ( bearing in his hands the measure of time [the hour glass/clock]) + the palm (branch) + the symbols of astrology (astronomy).
3. Hierogrammat (or sacred scribe), having feathers on his head and in his hands a book (papyrus), with a ruler (palette) in which there is ink and a reed for writing.
4. Stolistes bearing the cubit of justice and the cup of libation.
5. Prophet bearing in his bossom a water-jar, followed by persons carrying loaves of bread.
6. High Priest of the king (with a leopard skin-dress)
7. Gods (7.Thoth, 8.Hor-Hat, 9.Ombte & 10. Nilus).

Thoth
Thoth was the god of the moon, sacred texts, mathematics, the sciences, magic, messenger and recorder of the deities, master of knowledge, and patron of scribes. His Egyptian name was Djehuty, which means “He who is like the Ibis.” He was depicted as an ibis bird or a baboon.
 
Hor-Hat (Hathor)

Hat Hor, also called Hat-Hor (actually Hor-hat), is a possible pharaoh or king of Dynasty 0 (Predynastic Period), who ruled circa 3250 BC.

Ombte
 
Nilus 
 Nilus or Neilos, in Greek mythology, was one of the Potamoi (gods of rivers and streams of the earth in Greek mythology), who represent the god of the Nile river itself.
 
 
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VII
 Journaling
 
 
VIII
Glossary
 Satraps: Satraps were the governors of the provinces of the ancient Median and Achaemenid Empires and in several of their successors, such as in the Sasanian Empire and the Hellenistic empires. The satrap served as viceroy to the king, though with considerable autonomy.
 
 
 
IX 
Sources
 
.Seven Bremmer, Marlene (2022). Hermetic Philosophy and Creative Alchemy: The Emerald. Inner TraditionsBear
 
X

 STUDENTS' WORK

 

 

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